Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Juan de Espinosa
A fountain of grape vines, roses and apples in a conch shell

ID: 74622

Juan de Espinosa A fountain of grape vines, roses and apples in a conch shell
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Juan de Espinosa A fountain of grape vines, roses and apples in a conch shell


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Juan de Espinosa

Spanish Baroque Era Painter, ca.1590-1641, Spanish painter. Details of his life are scarce. He is documented in Madrid and Toledo between 1612 and 1626, and while he is recorded as having painted religious pictures and portraits (untraced), he is only known today for his still-life paintings. Documents relating to another artist of the same name, known as Juan de Espinosa, dating from 1645 to 1677, concern a different painter.   Related Paintings of Juan de Espinosa :. | Bodegon ochavado con racimos de uvas | Floral still life arranged in conch shell | Still-Life with Shell Fountain and Flowers | Still-Life with Grapes, Flowers and Shells | Still-Life with Shell Fountain and Flowers |
Related Artists:
Edwin long,R.A.
1829-1891 .English painter. He was taught by John 'Spanish' Phillip and began his career painting portraits and Spanish subjects, such as Dialogus diversus (1873; priv. col., see Quick, p. 10). However, he became successful and rich with very large historical and biblical subjects such as the Babylonian Marriage Market (1875; Egham, U. London, Royal Holloway & Bedford New Coll.), which changed hands in his lifetime for immense sums. His choice of subject-matter was indebted to the example of Sir Lawrence Alma-Tadema, while his style closely resembles that of Edward Armitage. His success enabled him to commission two houses (1878 and 1887), both in Hampstead, from Richard Norman Shaw. He was elected ARA in 1876 and RA in 1881.
Stacy Tolman
American, 1860-1935
robert delaunay
French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life, leaving a legacy of influential writings on the development of abstract art.






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